In 2011, filmmaker Michael Higgins excavated a number of 16mm film reels while digging the ground near the Ringsend Peninsula. He reconstructed the decaying film into useable material, sequencing a new work entitled the Poorhouse Revisited. This is the final text in the Selected Stories series.
Image © Frank Stapleton, the Poorhouse, 1996, 16mm, c. 30 mins.
[Note] Enclave Review is only available from galleries and art bookshops throughout Ireland.
Notes on the Missing Oh poses lasting questions about the way a 1980s film portrays the Korean war.
Horgan’s assemblages invoke age-old literary mechanisms and mythological storytelling.
A catalogue essay for Ormston House’s annual exhibition. Curated by Aideen Barry and Alice Maher.
In the film Atlantropa, the European Union has built a transcontinental bridge between Spain and Morocco.
In Generation for Export, Eilish Tuite hosts a going-away party in honour of an unnamed guest.
The 2011 iteration of the MAVIS programme’s annual exhibition at the LAB, Dublin.
This published project originated from a series of discussions surrounding ethics and failure.
A report from one year of the Black Church Print Studio’s critical seminar programme.
A practice-based PhD seminar, with Gary Coyle, Philip Napier and Sally O’Reilly.
